Showing posts with label paper. Show all posts
Showing posts with label paper. Show all posts

Tuesday, July 12, 2011

House No. 193: Sparklehouse

House No. 193: Sparklehouse
sequins on paper
3 in. x 5 in. x 3 in.
193/365; 07/12/11

Today is the anniversary of July 12, 1979, the day disco died. What better way to remember than a disco ball house?

It is so very hot in Virginia today. For today's house I would have liked to make a life-size igloo to curl up in, but we don't even have an ice maker.

It is so hot that my pets are all furry puddles splayed about in the rooms of our house that have window units. And that is where you will find me too when I get home.

All of this has nothing to do with today’s house except that one can glue sequins while reclining in front of an air conditioner, which is my one requirement for projects at the moment.

Sunday, July 10, 2011

House No. 191: Spice Rack House

House No. 191: Spice Rack House
design and plans
projected size: 16 in. x 32 in. x 8 in.
191/365; 07/10/11

A few years ago, I read a review by Frank Bruni of the late restaurant Elettaria entitled A Doll’s House with a Spice Rack. I remember little more about the review other than thinking that I absolutely had to have a dollhouse spice rack.


The design is based on Second Empire architecture.


The interior is going to be lined with chrome wire racks that hold 4 oz. glass spice bottles.







Many advance thanks to the Werepanda, who will be helping me with the power tools.

Saturday, July 9, 2011

House No. 190: Portrait of Home

 
House No. 190: Portrait of Home
collaboration
undetermined size
190/365; 07/09/11
 
In addition to making a house everyday, I have a much bigger house project. It is over a hundred years old and about 3700 square feet of restoration project. When it was time to get some changes approved by our city's Architectural Review Board, I drew the plans that were part of the proposal.
 
 
Today I drew a simplified version of this drawing and started another collaboration on a house with Amy Black of Trademark Tattoo. She will be tattooing the this drawing onto my husband, who met with Amy today.
  
 
What kind of a good sport is he to get one of my daily houses permanently affixed to his person? That's my awesome werepanda!
 

Tuesday, July 5, 2011

House No. 186: The Burrow, Part 1


House No. 186: The Burrow, Part 1
collaboration
undetermined size
186/365; 07/05/11

Today I started a collaboration on a house with Amy Black of Trademark Tattoo.

 
The Burrow is the home of the Weasleys, a wizarding family in the Harry Potter books. Their house is a mishmash described as looking pieced together and held up by magic. It reminds me of my crazy house, and in many ways, my life. Molly Weasley is my favorite character from the books. She is a fierce and awesome mother figure.
 
 
I started with a pencil sketch based on the descriptions of the Burrow in the Harry Potter books, and here you can see Amy’s notes and additions on my sketches. I can’t wait to see what Amy comes up with and the finished piece on me!

Wednesday, June 22, 2011

House No. 173: Neoclassical Mansion

House No. 173: Neoclassical Mansion
pencil, colored pencil, ink, and paper on found object
5 in. x 4.5 in. x 1.25 in.
173/365; 06/22/11

Today's house started with a dollhouse fireplace that the WerePanda and I bought at Replacements during a trip through North Carolina.


And some paper samples from my endless supply.


Add some illustration, and voilĂ , a neoclassical mansion fit for the American Southeast.

By the way, if you like the decorative arts, you must go to Replacements to see their private collection. It is amazing.

Tuesday, June 21, 2011

House No. 172: Paisley House


House No. 172: Paisley House
gel pen on paper
11.5 in. x 5.5 in.
172/365; 06/21/11

Inspired by paisley patterns and colors, a bright and sunny illustration for the longest day of the year. Happy summer!

Monday, June 20, 2011

House No. 171: Huguenot House


House No. 171: Huguenot House
colored pencil on paper
9 in. x 12 in.
171/365; 06/20/11

Today’s house is a little stone dwelling like those built by the French Calvanists in the Hudson River Valley during the eighteenth century. Drawn with waxy woodless colored pencils on heavy paper.

Friday, June 17, 2011

House No. 168: Bavarian Castle

House No. 168: Bavarian Castle
ink and paint on paper
11 in. x 5.5 in.
168/365; 06/17/11

Today's house is a drawing based on Castle Neuschwanstein in Bavaria, which was built by King Ludwig II in the late nineteenth century. While working on more houses based in fairy tales, I have been studying more fantasy architecture and like to sketch these structures to learn about them and get ideas.

I was first introduced to Castle Neuschwanstein by the movie Chitty Chitty Bang Bang. I recently bought that movie on DVD, and I have to confess that I still love it. I'm a sucker for musicals and Dick Van Dyke, what can I say.

The paper that I drew on here was a scrap scavenged from my classroom before it was thrown away. It came with the paint on it, and I liked fitting the castle into the paint. I used the blue streaks for the rock cliffs and the clouds.

Thursday, June 16, 2011

House No. 167: Number 7 Eccles Street, Dublin

House No. 167: Number 7 Eccles Street, Dublin
pencil on paper
12 in. x 9 in.
167/365; 06/16/11

In honor of Bloomsday, I offer a portrait of Leopold Bloom’s house, Number Seven Eccles Street, in front of a rough map of Dublin with a sketch of the front door to Number Seven, now preserved in the James Joyce Centre, and a portrait of Mr. Bloom himself.

Thursday, May 5, 2011

House No. 125: White on White House

 
House No. 125: White on White House
collage on matboard
8 in. x 8 in.
125/365; 05/05/11

Today's house relies on texture rather than color, line, or contrast. And it was rather difficult to photograph because of it.



The matboard that I used as a background for this house was salvaged from my classroom, and the paper and strings were also upcycled. The paper is from the same source as House No. 121: Spring Cottage. The strings were left over from the tags from House Number 71: Tagged Houses.

Wednesday, May 4, 2011

House No. 124: Connect the Dots House

 
House No. 124: Connect the Dots House
collage and encaustic on chipboard
18 in. x 12 in.
124/365; 05/04/11

Those of you who know me in life outside of the innerwebs know that I am super Safety First Girl. Somehow, I threw that caution and conscientiousness to the wind whilst working on today's house.

I was not exactly thinking about what I was getting hot, and I had glue and packing tape on this piece that probably should not have been heated and inhaled. 



That customer card is from the late Minerva Books in Petersburg that closed down a couple years ago. I loved that bookstore. Sigh.

I just love the way the wax pooled and beaded-up on surfaces, especially the metallic paper that is most likely toxic when heated but oh, so pretty.


Below, you can see the packing tape that shriveled up from the heat. I ended up getting a headache and feeling light headed and nauseous. I'm not sure how much of that was from toxic fumes and how much is from working over a hot pizza stone and oven

Tuesday, May 3, 2011

House No. 123: Rooftops

House No. 123: Rooftops
encaustic on paper
18 in. x 12 in.
123/365; 05/03/11

I started to get more controlling about the encaustics, which is sort of funny considering that I was excited about them loosening up my hand. I wanted to push them though, so I started to crudely control the temperature with two pizza stones (one was heating in the oven while I worked on the other) and two cookie sheets cooled in the freezer.


By controlling the heating and cooling, I was able to solidify goops of wax where I wanted them (sort of) and cool the surface enough to get thick, chunky lines. See the black accents in these details for examples of that line work.


I re-melted portions, wiped them smooth with paper toweling, scratched into the wax with chopsticks and pieces of cardboard, spread the wax around and cooled it into dimensional surfaces, and melted colors together.


Above, you can see where I wiped off a lot of color and pooled it on top in the yellow and grey areas. Then I worked into the cooler wax with the black crayon to get harder edges with more contrast.


Different shades of brown and red made up these tile roof, above. I wiped the areas clear to layer the color and then cooled chunks of molten wax to create dimension and texture.


I used a lot of white in the above portion to make the windows look reflective and to create highlights. Different color tones and hues and layers of wax create shading and dimension, as seen in detail below.


Stylistic inspiration for today's house came largely from Egon Schiele. (A warning about following that Schiele link: a lot of his works are Not Safe for Work.)

Sunday, May 1, 2011

House No. 121: Spring Cottage

House No. 121: Spring Cottage
encaustic and ink on cotton rag paper with flower petals
6 in. x 4 in.
121/365; 05/01/11

As Thomas Morley wrote, and I dare say put it best,  Now is the Month of Maying. In honor of May Day, I created today's house out of a piece of handmade flowered paper that had been an invitation lining that I had been holding onto for some time.

The oils from the wax caused the ink to spread, and I really like the soft lines that it created. Also, the absorbent paper changed the feel and look of the encaustic. It made it possible to layer the wax more and caused it to spread less.

The wax was less creamy and malleable on this paper, but it gave me the opportunity to build up on the paper and treat the wax more like paint.

The petals were in danger of charring a bit, and I had to work fast and continuously pull the paper off the heat. The ink seemed to react to the heat, and the paper smoked just on the spots where the ink was, creating smoky, brownish-grey areas.

Saturday, April 30, 2011

House No. 120: Alsatian Bourg

 
House No. 120: Alsatian Bourg
encaustic on paper
18 in. x 12 in.
120/365; 04/30/11

No matter how old I get, I will never lose my excitement over metallic crayons. They are awesome. And just look how great they look when they melt:


Check out the sparkles floating in the wax. Love, love, love that!


Check out the lint and dog fur also floating in the wax. Well, it adds texture, at least.


Colors with white in them make really lovely, subtle layering. (See the pink areas above.) That is my favorite part of this process, the layering and translucent obfuscation.